The Clock That Doesn't Tick: A Woman's Encounter with Eldermoor's Forgotten Tower
Every evening at exactly 7:13, the old clock tower in the village of Eldermoor would chime, though no one had seen a person inside for decades. The villagers called it "The Clock That Doesn’t Tick," and they never dared to approach it after dark. It stood alone on the edge of the woods, its iron frame rusted and its face cracked like a dried-up riverbed. No one knew who built it or why, only that it had been there long before any of them were born.
One summer, a young woman named Elara moved into the abandoned cottage near the clock tower. She was an artist, drawn by the stories of the strange occurrences and the quiet beauty of the place. She believed she could find inspiration in the silence. Her first night, she heard the chime at 7:13, though the clock hadn’t made a sound in years. She thought it was her imagination, but the next night, it happened again. And again. Each time, the chime echoed through the empty fields, as if calling her.
Curious, she began to investigate. She found that the clock tower had no keyhole, no door, just a heavy wooden panel that had been sealed shut with iron bars. She tried to peek through a crack in the wood, but the darkness inside was too thick, as if something were watching her from within. One night, she noticed a faint light flickering behind the cracks, like candlelight. It wasn’t enough to illuminate anything, but it was there—steady, patient, waiting.
She started keeping a journal, writing down every detail. She described the way the wind seemed to whisper when she approached the tower, how the trees around it swayed even when there was no breeze. She also noted that her dreams had changed. They were no longer about her past or her future, but about the clock. In one dream, she saw herself standing inside the tower, surrounded by clocks of all shapes and sizes, each ticking in perfect harmony. A voice spoke to her, not in words, but in feeling—something ancient and knowing.
Weeks passed, and the chime became more frequent. Sometimes it rang at 7:13, sometimes at other times, like 4:07 or 12:00. The villagers noticed the change and began to murmur. Some said it was a sign of bad luck, others claimed it was the work of spirits. Elara, however, felt a pull she couldn’t ignore. She wanted to understand.
One night, she returned to the tower with a flashlight and a notebook. She climbed the rickety steps leading up to the wooden panel, her breath shallow. When she reached the top, she pressed her ear against the wood and listened. There was a low hum, like a heartbeat, deep and steady. Then, without warning, the panel creaked open, revealing a narrow staircase spiraling downward into the earth.
Elara hesitated, then stepped inside. The air was cool and damp, carrying the scent of old paper and something else—like burning incense and forgotten memories. The stairs led to a vast chamber lined with shelves of books and strange devices. At the center stood a massive, circular table covered in maps and symbols. In the middle of the table was a single, glowing hourglass, its sand flowing upward.
As she stepped closer, the lights in the chamber flickered, and the hum grew louder. She realized then that the tower wasn’t just a clock—it was a gateway. A place where time folded in on itself, where moments could be captured, replayed, or erased. The voice she had heard in her dreams was not a spirit, but a memory, a fragment of someone who had come before her.
She didn’t know how long she stood there, staring at the hourglass, until she felt a presence behind her. She turned, but the room was empty. Yet, she was certain she wasn’t alone. Something had followed her. Or perhaps, it had been waiting for her all along.
When she finally left the tower, the world outside seemed different. The sky was darker, the stars more distant. She returned to her cottage, but the chime still rang at 7:13. She opened her journal and wrote the final entry:
*"I don’t know if I left the tower or if it left me. But now I hear the chime not just once a night, but every minute. I think I’ve become part of it."*
And then, the page went blank.
Published on en